
The first act has a lot more to do with the threat to Argo City and the loss of the Omegahedron, sending Kara Zor-El (a delightfully demure Helen Slater, who develops into strength in pace with her character) to Earth. In case the text is too "sub" for anyone, it starts as all things should start: with her kicking a would-be sexual assailant in the balls. Still, it does as advertised: it puts a teenaged girl in the Kryptonian red and blue, and has her save a world that persistently underestimates her because she is not her big, male cousin. Supergirl gets a pile of things wrong, and some of its finer aspects can only be enjoyed as camp (but more on this in a moment). ( Superman Returns, of course, is better than all of them.)
#Selena vex movies movie#
I'm one of the handful of people who doesn't consider Superman II (in either incarnation) to be particularly great, so I put Supergirl right behind Superman: The Movie in my list of the original five Superpictures.

This summer of all summers, though, it deserves another look. Why has it been forgotten?ġ984 was the epicentre of what we nominally consider to be modern movie pop culture ( Gremlins, Romancing the Stone, The Karate Kid, Indiana Jones and the Temple of Doom, Ghostbusters, The Terminator, A Nightmare on Elm Street, Beverly Hills Cop, Star Trek III: The Search For Spock, The NeverEnding Story, Sixteen Candles, Police Academy, Purple Rain, The Last Starfighter, Revenge of the Nerds, Spinal Tap, Splash, Repo Man and The Muppets Take Manhattan) so maybe it's permissible that Supergirl - which serves as a kind of non-starter Cinematic Universe entry for the Richard Donner / Richard Lester Superman era - got left behind. Like the others in the very slim "before Wonder Woman" canon, Supergirl is largely considered to be an outright creative misfire, except, I dunno - it sorta rules? It's cheesy and silly the way adventure movies for families were back then, but I grew up with this stuff and can assure you, it's far from the worst offender.


So, I might as well throw my hat into the ring, and point out that most of the commentary around Wonder Woman only seems to have cultural memory going back to the Catwoman/Elektra days, and in some cases, Tank Girl or Barb Wire might get thrown in for a bit of renegade cred.Īll of which ignores the fact that the first female superhero movie was released in 1984, and was called Supergirl. It's weird and sad to keep condescending to the film as the ultimate in superhero movie edge cases - "look, a movie about a woman can make money!" - but media's incessant need to compare like against like leaves few alternatives in the desert-like "female superhero movie" sub-genre. Wonder Woman continues to dominate the box office both domestically and abroad, adding a disproportionately low second-weekend drop (for this genre, the best since Batman Begins) to its list of achievements. "Squirt? Squirt." - Peter O'Toole as Zaltar in Supergirl (1984)
